Recently, I sat down with Don Dokken to discuss his new album, appropriately named The Lost Songs: 1978-1981. I’ve been a fan of Dokken for years and I was interested to talk with Don, not only about the new album, but also about his relationship with the members of the classic lineup of Dokken including George Lynch, Jeff Pilson and Wild Mick Brown. Don told us all about The Lost Songs album, but also about the new upcoming Dokken album which is halfway finished. Listen to the interview below as we take a journey through the history of Dokken, from the early days to current day and Don’s current paralysis in his arm which prevents him from playing guitar these days:
It wasn’t always multi-platinum sales and stadium gigs for Dokken. There was a first-phase and there were early days, and it is those bold first steps to stardom which are celebrated comprehensively on Dokken’s The Lost Songs: 1978-1981 album, out on August 28th 2020 through Silver Lining Music.
Featuring spectacular sleeve art by renowned US artist Tokyo Hiro (Motörhead, Motley Crüe), The Lost Songs: 1978-1981 show the crackle and craft of a hungry young Don Dokken as he embarked upon a journey which started in Southern California and Northern Germany. It is a trek which is testimony to the sheer endeavour and perseverance Don Dokken showed in those few years between 1978 and 1981, starting from when he spent time at a guitar store called Drake’s Music, owned by Drake Levin in Manhattan Beach, California.
A fair selection of the treasure on The Lost Songs: 1978-1981 are from these early European days. “Felony” carries a thuggish fuzz-coated riff -think early Van Halen in really greasy embroidered denims- while “Day After Day” showed that Don could pen a radio-slaying ballad.
The writing and creation of The Lost Songs: 1978-1981 are further tribute to enduring early days of struggle in both Germany and LA, Don would return to LA for a spell after those brief European gigs, and he worked with Croucier on material, including perhaps the truest view of Dokken’s then-future “Hit And Run”, which incredibly did not end up on the eventual Breaking The Chains release. From the sunbaked SoCal hook of “Step Into The Light” to the furious, fledgling, late-Sunset Strip sound of “Back In The Streets,” The Lost Songs: 1978-1981 shows Don in his unfettered early days of balls-out attitude, qualities doubtless forged in the sheer nature of the adventures undertaken in writing, recording and deciding Europe was the place to keep cutting his teeth.
The Lost Songs: 1978-1981 not only shares that magic with the fans, it gives them the final, vital and undeniably missing (until now) early album in the Dokken collection.
Musicians who appear on The Lost Songs: 1978-1981: