On May 9, 2023, MY LIFE WITH THE THRILL KILL KULT will release “Sinister Whisperz IV: The Bedroom Tapes (1987-1988)”. This fourth release in the artist’s retrospective series focuses on the pre-band days, when the duo were just beginning to collaborate. It’s a collection of rare live recordings, made in a small Chicago bedroom during the winter of 1987-88. The 13 songs, jams and grooves highlight TKK’s industrial origins, featuring heavily distorted vocals, jack hammer percussion sounds, and a good ol’ dose of Satanic adoration.
Buzz McCoy explains “These tapes were working ideas… our first few jams together. We hadn’t really begun writing songs yet. Many times Groovie had no lyrics and would make them up as he went. We had no multi track recorder. Everything was mixed “on the fly” to a cassette deck with a 12-channel mixing board, while I attempted to play samples, keyboards and occasionally bass at the same time. Many of the tracks aren’t mixed at all. They were spontaneous live recordings for reference, but looking back, they don’t sound half as bad as I thought. And they really do capture that manic, youthful angst swirling around in us at the time.”
Track Listing
01 I See Spirits
02 Sermon 4 None
03 Absolution
04 Satan’s Power
05 Babble Box
06 Monster Man
07 Invocation
08 Baby Casanova
09 Wrath Of Satan
10 Eye Of X
11 Out Of Order ’87
12 Nevermore Returns
13 Statik Xians
CD Pre-Sale available @ TKKmart.com
Download Pre-Sale available @ sleazebox.com
Previous releases in the Sinister Whisperz series:
“Sinister Whisperz: The Wax Trax! Years (1987-1991)”
“Sinister Whisperz II: The Interscope Years (1992-1996)”
“Sinister Whisperz III: The Ryko Years (1997-2007)”
EVIL EYE TOUR with Special Guests ADULT. & KANGA Tour Dates:
05/14 @ Nile Theatre – Mesa, AZ
05/15 @ Launchpad – Albuquerque, NM
05/17 @ House of Blues – Houston, TX
05/18 @ The Rock Box – San Antonio, TX
05/19 @ Mohawk – Austin, TX
05/20 @ The Echo Lounge – Dallas, TX
05/22 @ Oriental Theater – Denver, CO
05/24 @ Metro Music Hall – Salt Lake City, UT
05/26 @ McMenamins Crystal Ballroom – Portland, OR
05/27 @ The Crocodile Showroom – Seattle, WA
05/30 @ Ranch House – Sparks, NV
05/31 @ Great American Music Hall – San Francisco, CA
06/02 @ Teragram Ballroom – Los Angeles, CA
06/03 @ Music Box – San Diego, CA
10/19 @ Turner Hall Ballroom – Milwaukee, WI
10/20 @ Fine Line – Minneapolis, MN
10/21 @ Wildwood – Iowa City, IA
10/23 @ Vogue – Indianapolis, IN
10/24 @ King Of Clubs – Columbus, OH
10/25 @ Mr Small’s – Pittsburgh, PA
10/26 @ SoundStage – Baltimore, MD
10/27 @ Starland Ballroom – Sayreville, NJ
10/28 @ Underground Arts / Dracula’s Ball – Philadelphia, PA
10/29 @ Crystal Ballroom at Somerville Theatre – Somerville, MA
10/31 @ Bowery Ballroom – New York, NY
11/01 @ HMAC – Harrisburg, PA
11/02 @ The Asylum at Masonic Temple – Cleveland, OH
11/03 @ Crofoot Ballroom – Pontiac, MI
11/04 @ Bottom Lounge – Chicago, IL
Additional Tour & Ticketing Info
Hailing from Chicago’s renowned Wax Trax! Records stable of artists, MY LIFE WITH THE THRILL KILL KULT have been conjuring up sonic tales of sex, blasphemy and kitschy horror since 1987. The band helped develop the industrial music genre, yet have continued to expand their style, creating one of the most diverse repertoires in modern music. Electronic rock, heavily influenced by both disco and funk can best describe their sound, while spoken-word samples lifted from B-movies gives the band their signature mark. They have released 14 studio albums, a slew of remix compilations, and have contributed to a variety of soundtracks and film scores, including a cameo performance in the 1994 cult movie classic The Crow.
Artist Franke Nardiello and musician Marston Daley, two Chicago neighbors who enjoyed late night binges watching trashy exploitation films and horror flicks, wanted to make their own movie to be called “My Life With The Thrill Kill Kult”. While the project never came to fruition, they wrote some music to be the accompanying soundtrack. Both worked at the Wax Trax record store, and when label founders Jim Nash and Dannie Flesher heard the songs, they were intrigued. Using the film title as the name of the band, they released a 3-song EP in early 1988. The response was overwhelming, and it was clear fans wanted to hear more.
Taking the stage names Groovie Mann (Nardiello) and Buzz McCoy (Daley), the duo began to focus on music full time. They created an occult meets leather biker image to compliment the band’s name which included enlisting a bevy of voluptuous back-up singers / dancers known as the BOMB GANG GIRLZ. In June of ’88, they flew to label mate Luc Van Acker’s studio in Belgium to record their first album, I See Good Spirits and I See Bad Spirits. It was recorded in just ten days, and mixed in another ten days at Southern Studios in London. The fans ate it up! They followed up with two hard-hitting dance floor 12” tracks – Kooler Than Jesus (1989) and Cuz It’s Hot (1990), which features no-wave chanteuse Lydia Lunch on vocals. The New York Times wrote, “Sex, blasphemy, big beats and go-go dancing; they’re all in a day’s work for My Life With The Thrill Kill Kult”. This attracted the attention of indie fans, as well as the ire of the PMRC and conservative religious groups in practically equal measure. By the time of their sophomore release, Confessions Of A Knife (1990), they were far and away one of the biggest selling acts on the label.
1991 saw the release of their third album, Sexplosion!, a calculated sonic and visual departure from their previous work. 1950’s pin-up models replaced the demonic imagery, while sleazy stripper horns, disco beats and house diva vocals (provided by artist Shawn Christopher) took prominence over the more abrasive musical elaments.They put together a provocative stage show, complete with spinning police lights, mirror balls and a stocked bar with bartender to serve the scantily clad musicians and dancers while they performed. Alternative Press reviewed the show as “Sin-sational!”, while Melody Maker described it as “A Cabaret from Hell”. It was a huge success, and the album sold so well (fueled by the phenomenal radio hit “Sex On Wheelz”) that the group signed a deal with Interscope Records shortly afterwards and released two more albums – 13 Above the Night (1993), and Hit & Run Holiday (1995).
Hollywood also embraced the KULT, recognizing the unique cinematic aspect in their sound. Most notably, the band scored five songs for animator Ralph Bakshi’s Cool World (1992) and wrote the lap dance song for director Paul Verhoven’s saucy Showgirls (1993). Comedies BASEketball and The Flintstones Movie prominently feature songs from the Hit & Run Holiday album. They have been roasted by MTV’s Beavis & Butthead, and were written into the story line of the film Sexy Evil Genius which also features the song “A Daisy Chain 4 Satan”. Most recently the club hit “Kooler Than Jesus” can be heard blasting in Season 3 of the Netflix series Narcos.
The band moved to Rykodisc in 1997 and re-released their entire remastered / repackaged catalog, along with five more studio albums, including an homage to 70’s disco era called Gay Black & Married, and the sultry and decadent Filthiest Show In Town (2007). They also formed their own label, SleazeBox Records, in 2001, enabling the release of a growing number of side-projects in addition to new TKK material.
Today SLEAZEBOX.com boasts the complete THRILL KILL KULT catalog, in addition to related works such as Mann’s DARLING KANDIE, and McCoy’s self titled projects. They continue to work with Wax Trax! Records for the purpose of re-issuing special limited edition vinyl. Buzz and Groovie still record and perform live along with veteran band mates Mimi Star (bass) and Justin Thyme (drums), all the while making a reputation for themselves as one of the most notorious and controversial cult bands of their generation.
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